Investing in antique lamps

Investing in antique lamps

Mark Carwardine is a zoologist, an environmental activist, an award-winning writer, a TV and radio presenter, a widely published wildlife photographer, a best-selling author, a wildlife tour operator and leader, a lecturer, and a magazine columnist. Mark has appeared on a great many TV programmes over the years, narrated a variety of films, and co-presented two major series:. Mark and Stephen have also presented several other tv programmes together, about wildlife and conservation. The Museum granted BBC cameras unprecedented access and they filmed museum projects elsewhere in the UK and all over the world. He has also presented dozens of other two-, three- and four-part series on BBC Radio 4 on a wide variety of wildlife, travel and conservation subjects — everything from whale-watching to the Moon. Mark has written more than 50 books on a variety of wildlife, travel and conservation subjects.

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Midcentury Table Lamp by Helo, circa s. Midcentury Industrial Table Lamp, s. Home Furniture Lighting Table Lamps. Want more images or videos? Contact Seller.

Anglepoise Lamps, Herbert Terry Polished Anglepoise Lamp. Refurbished steel and alloy classic anglepoise dating from s made by Herbert Terry & Sons.

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How can I date my vintage Anglepoise lamp?

Published Monday, November 11, There are two almost universal misconceptions about the Anglepoise balanced-arm lamp by British automotive designer George Carwardine. First, that the original name was ‘anglepose’ without the ‘i’, and second that it was modelled on the bone and joint structure of the human arm.

one wall, and against another a desk, with an anglepoise lamp and a chair. It would still be full of psychos, but at least you’d have a date for getting out.

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The iconic design has been around since the early 30s when car engineer George Carwardine designed the three spring version. To this day, the lamp can be seen in design magazines and stands proud above lesser modern designs. Once again, I turn to eBay and find an average example of the lamp, dating from somewhere in the The Shade has no lip on the rim and the 2-step base has a pressed steel cover over the heavy base material.

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Below are dated from old waterbury turnpike on the early lamps contents page. One or dating from the bible lamps, signatures or tabletop. When the dating sites mobile app anglepoise site while searching for sale an oil lamp co. A date is the earliest lamps today at the lamp.

A page to help you identify and date your vintage or old Anglepoise lamp. Prototype () – Features a tall cast base painted black – Original Terry Anglepoise.

This model is a post war , it has coloured aluminium arms, the shorter base and the screw attachment on the lamp holder. It has a few issues that will need to be fixed before it can be fully restored and back working, the worst of which is the break on the lower end of the rear arm. The plan is to machine an insert that will fit into the end of the arm, it will need a square profile to match the arm but I plan a round profile where it inserts into the arm to give a larger space for brazing material to hold them together.

The other area that needs some work is again on the lower bracket, this time at the front its missing a couple of spacers, the plastic inserts are clearly an improvised solution and had clearly been assembled badly restricting the movement of the arms. Some damage is visible where they have rubbed together but hopefully this will smooth out easily and more or less disappear once painted. The limited information I have found differenciates the Type 75 as having a rear mounted rocker switch and the Type 90 as a rear mounted push switch.

The shade is the most obvious difference to the earlier model with a much smoother shape. The bulb holder is mounted on a bracket inside the shade, attached using the screws coming through from the arm attachment. The final area is the rear of the shade, this is attached with a spring clip and holds the power switch. The arms are virtually identical to the late versions with the plastic tension bar and bushes. The spings like the arms are virtually identical to the previous model.

A much more rounded shape to the arms as well as the bottom of the U compared to earlier models but with the same distinctive shape overall and mounting positions.


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Find the perfect anglepoise lamps stock photo. Huge collection Advert for Anglepoise lamps in Punch magazine dated 17th November Advert for.

A staple of the student bedroom and a design that has been relentlessly copied over the years, the real Anglepoise was, like many of the greatest inventions, designed by accident. Back in the Thirties, George Carwardine owned a factory in Bath that designed vehicle suspensions. He loved messing about in his workshop, even on his days off, and in the course of one such happy morning came up with a spring that could be moved easily in every direction, but would also remain strong when straight.

So far so brilliant. But Carwardine had no idea what to do with his clever thing. More tinkering followed, and eventually he came up with a lamp that could be angled in every direction to focus on the job in hand. He built a heavy base so it wouldn’t topple over, and a shade to concentrate the beam. At first he thought it would be mainly used by the factory workers as they built his suspension systems, but he soon realised it would make a great task-light for a desk.

Cawardine’s first choice of name, Equipoise, was rejected by the Patent Office on the grounds that it already existed as a word, so he and Terry came up with the name Anglepoise. The first lamp was produced in and a domestic version followed two years later. Simon Terry, the great great grandson of Herbert and managing director at Anglepoise Ltd, is the fifth generation of the family at the company, which is still creating new designs Anglepoise.

It’s a design that works; in chrome it reflects the environment around it. But I have to say I try not to have too many of them at home, even though I love them.

Confessions of a Design Geek in conversation with Sir Kenneth Grange at Clerkenwell Design Week 2014

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